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In Cuba , a popular dance known as Casino was marketed abroad as Cuban-style salsa or Salsa Cubana to distinguish it from other salsa styles when the name was popularized in the s. Dancing Casino is an expression of popular social culture; Many Cubans consider casino a part of their social and cultural activities centering on their popular music.
The origins of the name Casino are casinos deportivos , the dance halls where a lot of social dancing was done among the better off, white Cubans during the mids and onward. This means that, distinct from subsequent forms of salsa, no step is taken on the first and fifth beats in each clave pattern and the fourth and eighth beat are emphasised. In this way, rather than following a beat, the dancers themselves contribute in their movement, to the polyrythmic pattern of the music. What gives the dance its life, however, is not its mechanical technique, but understanding and spontaneous use of the rich Afro-Cuban dance vocabulary within a Casino dance.
In the same way that a sonero lead singer in Son and Salsa bands may "quote" other, older songs in their own, a Casino dancer frequently improvises references to other dances, integrating movements, gestures and extended passages from the folkloric and popular heritage. This is particularly true of African descended Cubans. Culturally, Casino is danced as an interplay between male and female gender and feeling the music Sabor as its main ingredients.
Much of the interplay of Casino style dancing is based on the broader Afro-Caribbean cultural context with emphasis on sexual interplay, teasing and everyday experience.
It is also popular in Europe and parts of Asia. Casino is danced in three points which makes up a circular motion as partners face each other in intricate patterns of arms and body movement. This is distinctive from the North American Salsa styles which is danced in a slot two points and linear positions as taught by the North American and European dance studios.